An Artistic Experiment…

Every now & then, I will see artwork that is so amazing and wonderful that I just have to try it for myself.  Not because I think I can do better or even comparable, but maybe just to feel the same joy of creating something that makes my artsy side sing.

So I was enthralled when I discovered the work of costume embroiderer Michele Carragher, most notably on her work for the costumes in Game of Thrones.  I am a big fan of GoT, and actually did notice quite a bit of her work in the show without knowing it…Sansa’s dragonfly, Cersei’s lions, and the Thirteens’ insects.

As an example of her beautiful work, here is a photograph from her website of a details of Cersei’s kimono-dress, with an embroidered bird.  This is the one that inspired me the most..

GAME OF THRONES EMBROIDERY BY MICHELE CARRAGHER - 4(1)

Now I am a pretty crafty person, but I don’t know much about embroidery….but it nibbled and ate at me, until I had to try it for myself.  Having never done embroidery before, really, it would make for an interesting venture.

I got my supplies right away, based on what I THOUGHT I’d need.  (When the mood strikes, I gotta get that junk NOW.)  I sketched my pattern onto a smooth cotton piece and got to work.  Of course, I thought I’d try a mockingbird first.  My favorite mockingbird sketch, one that I had once shared with my granddad, a woodcarver.  I had also purchased a thin book on embroidery stitches, but I rarely looked at it.  I mainly sort of made it up myself.  Did I also mention that I’m quite impatient?  …I am.

I think the outline is done in what is called called a “running stitch.”  Or in my case, a “stumbling stitch.”

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After the outline, I started with the darker portions, sort of filling in the shadows.  Now, if you’re looking for fancy needlework, you’ll find none of that here, sir.  Like I said, I am quite impatient.  I tried a few techniques from “leaf” stitches, but primarily just did a basic filler stitch.  So it’s all sort of wonky and crooked.  I looked at a printout of the sketch for reference, and used it to sort of plan out the next steps.

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Next step:  adding a slightly lighter shade of gray.  Here’s where the only bit of fanciness comes in:  I learned about a sort of feather stitch from this amazing resource for stitches, and did a few fancy curved feathers at the edge of the upper wing joint.  It kind of looked like feathers!  This made it feel a little bit like a “real” embroidery project.  Like I sort of knew what I was doing.  (…I didn’t.)

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And then lighter and lighter shading.  It was almost like painting, so in that respect I quite enjoyed it.

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This next part was my favorite.  I had gotten several little beads, jumpers and metal pieces from the jewelry section of the craft store.  I sort of placed them for texture with tiny stitches onto what I had already sewn.  I loved how the little brass tubes made interesting texture on the bird’s feet, and the effect of the circle jumpers in the feathers made me happy.

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A detail of my shoddy stitchwork.  If you have a background in needlework or embroidery, you should look away…

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And finally, for better or worse, here is the final piece, with red cherry blossoms added.

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So there it is!  It took about four days to complete.  I worked on it during a visit to see family.  I know the stitches are wonky and misshapen, and the final result looks like NOTHING nearly as beautiful as Michele Carragher’s work, but this is what came of it.  And it was FUN!  Aside from a few cursed knots and foul tangles, it wasn’t too stressful.  And, always one to multitask, I could either have a conversation, watch a program, or listen to an audiobook while I stitched.  I will say that it did seem to age me a bit, sitting around an airport, hunched over my embroidery hoop.  But thankfully, I don’t really mind what other people feel about my “look.”  I had a little travel bag for it, and it was super easy to carry around, super easy to just pick up & work on.

In retrospect, I could maybe have hidden my outline stitches (or not had them at all), and paid a lot more attention to symmetry in my stitches so they were more even.  But ya know, when inspiration strikes, ain’ t nobody got time for things like “detailed stitching.”  So there ya go.  My mockingbird.  Quite wonky & crooked, but I like him nonetheless.  In looking back, her stitches were lighter and more airy, while mine are much more heavy-handed.  Aaaaah well.

I’m not sure what to DO with him now.  From what I understand, I could glue down the stitches on the backside, cut it out, and reattach it to something else.  I may do that.  Or I could just leave it on the hoop & hang it up on the wall.   I’m not sure.

…In any case, I liked it so much, I’m working on a beetle next.  🙂

12 responses

  1. Mica, your capabilities and eagerness to go another step in your artistic persona have never ceased to amaze me. To create such a beautiful piece on your first effort! I applaud you!! This is beautiful and deserves to be shown. So no matter what you do with it, display it! 😉

    1. Thank you so much, Rhonda!

  2. […] An Artistic Experiment… (busymockingbird.wordpress.com) […]

  3. I think he (she?) is completely enchanting! I could look at him for a long time, just like Carraghers’ bird. Both of you manage to evoke a spirit in your birds as birds which I have never seen in embroidery! It is inspiring! So I would call it success. Of course I am now super-intrigued about whether this can happen for an insect– whether he (she?) will simply be pretty to look at (the way jewellery insects are)–or whether you can somehow magically infuse an insect with emotion in this genre. (No pressure!)

  4. I think he is awesome! The “wonky” stitches look to me like his feathers are ruffled and speak of his “emotions”. With his beak open and the flowers flying, his texture is fitting and gives him personality. The other artist’s bird was sitting pretty and in a calm state…Your mockingbird is living life! Can’t wait to see the bug!

  5. I’m a little in awe right now, because if you want a disaster with embroidery thread…I got that. This looks almost identical to what I have had in my head for a few years now as a big piece of my sleeve. I think this may be one of the first ravens I’ve seen with real depth and character.

  6. I like it! You should hang it or frame it or something (although I guess it depends on the decor in your place). Don’t cut it out.

  7. This is just awesome! it’s GORGEOUS!

  8. Just beautiful! Sometimes I think that when you do art that you don’t specialize in…you aren’t limited by their “rules” and you can create something really unique.

  9. This right here is an amazing work of art, because this came from your depths; your soul is in this piece. I know this because one day, while working on a macrame wall hanging, which I’d never attempted before, but which the vet was going to accept in trade for saving my cat’s life, I saw a spot in the middle of the macrame that called to me. I’d never done weaving, but I saw this weaving there. For some reason, I’d bought the exact correct size of metal ring to put there & I found all the yarn samples that my Aunt Nancy had spun & dyed when she first started spinning & I laid them out & there was a desert sunrise. I just let my fingers & my heart take over & I wove this beautiful thing in the middle of this incredible wall hanging. I worked for 5 days on it, only stopping for a snack & a cat nap now & then. And Mr. Cat lived for 10 more years…Inspiration is a crazy, wonderful thing!!

  10. Fantastic!!! I tried embroidery exactly once, about a million years ago, as a high school home economics assignment. It was also a bird. A little stuffed ornament that was supposed to be decorated with various stitches we had learned in class. Long story short, I convinced my older sister, a talented embroiderer, to do it for me. I got busted by the teacher who just knew it wasn’t my stitch work. Funny…lol

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