Me, For Sale.
I am not good at selling myself. I’m horrible.
You might say, “wait, don’t you WORK in marketing??” And I would respond with “I am a graphic artist. I just put together eye-catching imagery.”
Once, after I got out of the army, I had a job where I had to call up existing clients and offer to schedule them for their yearly meetings. It was the closest thing to a telemarketer I had ever been (even though it was for EXISTING clients who probably NEEDED to schedule their yearly appointments), and I was often treated as one. I hated it. When they were short with me or shoot me down, my attitude was, “Oh. Okay, then.” Way to make that hard sell, Mica!
I’ve SEEN people be good at it, and it’s sort of amazing to watch. I was once a graphic artist for an auto ad sales department, and worked with some amazing salesmen who could pull out the charm and still talk you into something you’d be happy to have, and not in a sleazy way, but in a “Oh! This would be a great deal for BOTH of us!” sort of way. It always felt genuine, even though you know it was a sell. It was always impressive to see.
I am not one of those people that even knows how that works.
There’s a quote I quite like, by psychoanalyst D.W. Winnicott, that says: “Artists are people driven by the tension between the desire to communicate and the desire to hide.” I like that. It makes a LOT of sense to me. It’s very true for me. I am an introvert, but I want to connect with like-minded (and sometimes different-minded) people. I have no desire to be “famous,” but I’d LOVE to share my work with a lot of people. If you ask my opinion on something, I will tell you everything I feel–until then, I keep it to myself for the most part.
This does not mean I am shy, by any means. I have learned to hold my own in my interactions with complete strangers. I just don’t grow in the spotlight. (I’m a little more like moss that way.)
But from time to time, even though I think I have tooted my own horn a-plenty, I still get asked, “do you sell your artwork?” and “do you have a book/t-shirts/prints?”
I do speak a lot better about something when I’m truly proud of it, or if I truly want to share my opinion. So I thought I’d share a bit about what I feel is awesome, and what I’m proud of. I’m going to tell you what I have for sale, where to find it, and what it’s like…
1. THE BOOK
I am VERY proud of the book we made. Thanks to so many backers on Kickstarter, I was able to put together and print the collection of our collaborations. It tells the story of how our collaborations began, how we do our doodles, and even has some doodle pages you can finish yourself. You can buy copies of “Share With Me” here.
We even had enough funding to print a little animal book of short stories I called “Tail Tales,” which you can buy here.
Both of these books are very near & dear to me. Not only do I think it’s amazing to see all the artwork Myla & I did together, I worked tirelessly putting them together myself, laying them out, sorting the files, and it’s wonderful to see all that work turn into something beautiful in the end.
1. SOCIETY6 ITEMS
When I first posted the “Collaborations” story, I put a few of our collaborations up on Society6. I had seen a friend’s work posted on there, and tried it out myself by ordering one before I ever made the post. Their art prints are beautiful, printed on very nice archival paper. The color is beautiful, and I found them to be a VERY close representation of the original artwork. (First off, let me say that I don’t get any of this stuff for free; I have to pay for it myself, just with only a slight discount.) So I’ll tell you a little more about the other items they offer there:
Mugs:
Their mugs are BEAUTIFUL! The color is excellent, and the printing is so clear. Once, I got a mug that was great except for the signature, and the lower part of the mug, which was completely smeared. I took a photo, sent it to them, and they sent a new one right away. I have a couple that I mostly keep pens & paintbrushes in…
Tote Bags:
The printing is so cool and clear on them. The big one is BIGGGG. I bring it with me to Myla’s gymnastics class. At first, I felt it was a little TOO big, but the more I use it, it’s just right. It’s one of my favorites to carry around. I initially thought the small one seemed a little TOO small, but actually, I can fit my sketchbook, Ipad, and quite a few other things in there. It’s not bad when you just want to carry a few things around without taking up too much room. (If you promise not to tell, I’ll let you all know that I plan on giving a tote or two as teacher gifts…)
Pillows:
The pillows are nice! We have quite a few of them, thrown all over the house, because I couldn’t decide which ones I wanted. They’re sort of a canvas-y material, and they’re quite stiff at first, but they do soften up after awhile. Myla even uses one to sleep on at night. I changed it out once, thinking it was too rough for her, but she asked for it back once she realized it was gone.
T-shirts:
Okay, let me say this. Their t-shirts (at least the three I tried) are SOFT. That being said, I’m not quite as crazy about the printing style they use. It comes looking nearly faded, and I have gotten a few comments about the quality. One of mine was actually stuck to itself, which tore part of the design. When I contacted them, they did give me a full refund. If a faded sort of look and a VERY soft shirt is what you’re looking for, that’s what they’ve got. (I now only offer just a few on Society6).
My favorite t-shirts, however, are on RedBubble…
2. REDBUBBLE ITEMS
I was contacted by RedBubble awhile back to give their store a try. I had gotten many requests like this from a variety of companies, but I had seen quite a few good things come from them. However, since my original “Collaborations” post was already linked to Society 6, I couldn’t just migrate to RedBubble. So I released a few t-shirt options (and at the time, they were the only ones that offered children’s sizes), and an exclusive listing of our ABC animals. I also posted our other animal collaborations there. They have the option of little die-cut stickers, but my favorite thing from them is their t-shirts.
This is Myla in her “Lizapillar” shirt. The shirt itself is a regular, well-fitting shirt, but the design is SO bright and true to our colors. We’ve washed it many times, and it still looks bright and beautiful.
3. MY NEW ETSY SHOP
If you’re looking for a strange, handmade gift, this is where I’m throwing those down. I’ve been having SO much fun making little handpainted resin monster necklaces, monster brooches, and handmade monster puppy dolls.
Also listed is a pretty wide assortment of original artwork. These are drawings and paintings from my own sketchbooks that desperately need a home, and that want to look at you lovingly from a behind a frame on the walls in your house.
…So there it is. Self-promotion. Something I’m not entirely great at, but hopefully you will take it for what it’s worth: me, just wanting to share something with you that I hope you will enjoy. Or that maybe you might think someone else will enjoy. Not in any kind of shady way, but in a “I like this stuff. If you like this stuff, here’s where to find it” sort of way.
Thank you all so much, and have a happy day!
Charlie and Jack
Or: “Why We Have a Dead Horse Taped To Our Window”
Here’s a quick little story:
Recently, we watched a show on PBS called “Animal Odd Couples,” about unusual animal friendships, which Myla loved. She especially loved the story of Charlie the horse and Jack the goat. 
Charlie was a 40-year-old farm horse who was blind in one eye, and very near to being put down when the family noticed that their 16-year old goat, Jack, had begun walking with Charlie around the farm, standing on his good side to lead him, making sure he got where he needed to go. As the horse got older and blind in both eyes, the goat began leading him in front so he could follow his sound.
The show is very sweet, and you can watch the story of Charlie and Jack here:
Myla was so impressed by this that the next time we sat down to draw together, she drew Charlie and Jack, and asked me to help her spell out their words…
Later in the story, they talk about how Charlie passed away. In tribute, Myla grabbed a paper plate and asked me if she could draw Charlie after he died (she has learned to ask about potentially inappropriate images after some “artistic mishaps” at school), and I said it would be okay.
I don’t think she meant it in a morbid way; to her mind, it was more of a tribute. The “x” eyes and the tongue sticking out are merely a way of telling you visually that the sweet horse that was part of this amazing story died. She wanted people to know about Charlie and Jack. She asked me if I’d write the story around it, and I took dictation on the words she wanted me to write. She asked if we could get a big stick and put it in the front yard so that everyone could see the story, but (thankfully) I convinced her that the weather might be an issue, and we compromised by taping it to the window in our kitchen nook.
So, we have a drawing of a dead horse on our window. But it’s sort of…sweet, actually?
And that’s the story of Charlie and Jack, and how Myla loved them.
Austin Wizard World!
So Austin Wizard World happened this past weekend, and I thought I’d tell you all about my very first ever Con experience as both a vendor and an attendee…
First off, the fact that the event started on a Thursday was apparently unusual, and had quite a few vendors and staff in a huff. The event also coincided with a football game that same weekend, but it being my first time at all, I didn’t have much to compare it to.
My awesome sister was nice enough to loan me her teenage daughter to help me with the event, so we flew her from Maryland. At 17, Maylin is no stranger to conventions, and loves the art of cosplay (dressing up as beloved characters).
My neice Maylin as Moriarity from Sherlock
Maylin helped me set up the table and watch it so I could walk around a bit, too. It was awesome having her there! She did get some funny looks, though, when I wasn’t manning the booth. “Yeah, right, this teenage kid has a 4-year old?!?? It must be a HOAX!” Heheh. Myla had school Thursday and Friday, and three days of a 5-year old sitting at a booth would be a little much.
So many people walked by and recognized the artwork, and said very nice things about it. We got a lot of “I feel like I’ve seen this online somewhere….” and “Oh! are you the lady??” It’s a testament to how unreal online things seem, as I got several people saying, “Oh, this is actually REAL?? Are you the real PERSON??” Uh. Yes? Yes, I am.
One of my favorite parts of the convention was just people-watching. SO many fun and clever costumes!! There was a group of four girls, all dressed as different versions of Wolverine. They could barely walk a few feet at a time before having to stop to get their pictures taken by everyone, and made everyone smile who saw them. There was a cute Toothless, a teeny tiny (and very realistic) Predator. I saw lots of cool Gamoras and Starlords, a few Rocket Raccoons, and even a Groot made from foam noodles.
This Phoenix cosplayer had a pair of giant foam wings attached to her back, and she was getting stopped every few minutes to have her picture taken. One of my favorites was a simple costume worn by a very tall woman shopping with her daughters. Green skin and hair, light purple shirt, and brown dress, carrying a 1-ton handbag….LADY HULK!
Saturday, Myla begged us to come too, so she pulled out her Falcon costume (from Captain America) and was so excited to see everyone all dressed up.
Another cool chance happening was that while sitting at the booth, this Punisher came up to us and it took me just a second glance to realize it was my very own cousin Andrew! I had no idea he was coming, and he had no idea I’d be there. Small world! He and his girlfriend Bea cosplay all over Texas, and she came as a variety of characters all three days..Catherine from The Cell, Catwoman, and Lady Deadpool–go check her out at Ninja Kitty Cosplay!
They even walked around a bit with Myla and let people take their picture, which made her feel a bit like a superstar.
It was also amazing to meet all the other artists and vendors that worked there, and talk to them about their ideas and projects. I listened to artist Doug Hazlewood talk about making comics the old-school way. We were seated next to the creators of The Cat webseries on YouTube. I talked to artist Brian Essig-Peppard about his project Zeroes for Hire. SOOO many good artists! And it’s really cool to know that people you’ve gotten to know online through their artwork are really nice people in real life.
For example, I first followed artist John Mueller on Instagram because he makes AWESOME artwork, and also because I remember seeing his comic Oink way back when I was in art school. He’s revamped that series, and he actually asked me (and a few other handpicked artists) if I’d do a piece of artwork for the back of his new Dark Horse comic Oink: Heaven’s Butcher, which comes out in February. (I just finished it & sent it, and I’m SUPER honored to be included!)
Anyway, John was at the Con with Sam Gage to promote their awesome game called Bedlam, via Kickstarter, with some cool rewards! At some of the higher tiers, you can even get YOURSELF drawn in as a character in the game!! These guys were lots of fun, made beautiful artwork, and were just all around awesome people. (If games are your thing, I know they’d certainly appreciate a like, a pledge, or a share!)
They were also REAAALLLY big fans of our collaborations, and really made Myla feel special when we went walking around.
Speaking of feeling special, we had a special visit from a facebook friend, Lauren, who (joined by her Tribble) brought her copy of our book to have us sign! Luckily she came on Saturday when Myla was there, and Myla not only signed it, but drew an octo-cat inside. It was so wonderful to meet her!
I even met up with a friend from high school, and his family! (High school, by the way, was in Augsburg, Germany…so again, small world!)
Another fun run-in was spotting tattoo artist and sideshow performer Katzen Hobbes. I mean, she’s pretty difficult to miss, right? I ran into Katzen YEARS ago from a distance at a tattoo convention, and always read about her, so it was cool to finally meet her in person. She’s going to be featured in Ripley’s Believe it or Not book, coming in September. She was really nice, and told me she did art with her son Felix from time to time, and that she had heard of our artwork and enjoyed it, and that since she was an artist and a mom, people would send her the article.
Since I’m a bit on the…”grownup” side, I wouldn’t consider myself much of a fangirl, so when the list of celebrities came out for the show, I didn’t think I’d be interested much. …UNTIL the thought crossed my mind that I might get them to sign some portraits I had done of them…
You might know Michael Rooker as Merle from The Walking Dead and Yondu from Guardians of the Galaxy…I brought my portrait of him to pose for a photo with, and had him sign the other, which was just an unfinished ballpoint sketch at the time. He was friendly! Like, VERY friendly. Like, country boy, holding your hand, callin’ you “Sugar,” big-hug friendly. “You did this, girl? Man, you’ve got some skills! All with a ballpoint pen, huh? I’ll be darned.” It was on Thursday, so there was hardly anyone there. I asked him if anyone offers him chocolate covered pretzels. We talked about Mallrats, and having to have his shiny butt full screen for the whole world to see in that one. He was funny. Later on, he walked around the Con floor, chatting with vendors. “HEYYYYY it’s you again!” he said to me. “You still working on that drawing? Man! You’re fast!” And then he strolled off to chat with a scantily-clad Red Sonja.
Friday was Norman Reedus, from Walking Dead. Since there were separate lines (and costs) for autographs and photos, I wasn’t able to take a posed photo, but Norman was super nice. Everyone kept saying, “oh, Norman Reedus? He is SUCH a nice dude.” And they were absolutely right. While Saturday was full of teenage fangirls screaming and shrieking his name, Friday was much more laid-back. As I walked up, he gave me a hug, shook my hand and said, “Hi, I’m Norman.” I asked if he’d be willing to sign my drawing, and he said, “MAN, you did that??” He stared at it a bit and told me I had a very unique style. I told him I was an illustrator, that my husband & I loved the show, and couldn’t think of anything else much to say. I know he enjoys artwork, and even made a book of fan art, but I wish I would’ve known beforehand that he actually MADE art at one time–that’s actually something I would’ve LOVED to have learned more about…..DANG IT!
Anyway, Myla stayed for a good chunk of the day Saturday, and had a GREAT time. She LOVED seeing all the costumes, and she LOVED looking at all the artwork. She said she wanted to stay there for the WHOLE NIGHT. She seemed SO at home there! At one point, inspired by the allure of commerce (or maybe it was the influence of the other artists), Myla drew some pictures, and laid them out on the floor. “I hope someone will buy my artwork,” she said. I helped her spell the words “For Sale” on her sign. “How much will you sell them for?” I asked. “One hundred,” she replied confidently. “I think that might be a little too much. How about one dollar?” “Yes! Of course!” she said. So from then on out (after first trying to sell some to me and Maylin), she would ask people kindly, “Would you like to buy some of my art?” I worried that she might not handle rejection well….but I underestimated the power of a kid’s selling techniques. I mean, who could resist?
One guy came by specifically to meet her, and tell her what a fan he was of our work. When she offered up her drawings, he asked if she had any of Harley Quinn. She didn’t, but grabbed her markers and drew him one right then & there. He happily thanked her with a ten dollar bill and a smile (people can be SO awesome, by the way). Made my heart smile!
By the end of the day, when Daddy came to pick her up, she had made $20. She told me I should go to the shops and buy any doll I choose. Whichever one I wanted for myself. “Hm,” I said. “What doll do you think I should choose?” Immediately, she answered, “FLUTTERSHY!!!” Then quickly added, “Uh…or whichever one you would like.”
So of course, impressed by her moxie, I brought home a stuffed Fluttershy for her, for all her hard work.
And that was that! So much fun meeting so many people, seeing so much artwork, and all the fantastic costumes. I think we may have to go to a few more, even just as attendees. Maybe this time…in costume! I have all these awesome cosplay ideas if Myla would only cooperate, but of course (as she should) she has her own ideas. Like being Fluttershy or Rainbow Dash (can you tell she just discovered My Little Ponies?). My husband says that instead of a pageant mom, I have to be careful not to become a cosplay mom. 🙂
Til next time! Woohoo!
Throwing Pennies
Awhile back, I got an email from Canadian musician Jennifer Gasoi, who won a Grammy this past year (whaaaa????!!), saying that she enjoyed our collaborations, thought we might enjoy her music, and wondered if she could send us a copy of her award-winning album.
You’d like to send us a copy of some awesomely fantastic, jazzy, hip-shaking music that Myla & I could jam out to? Why, yes PLEASE!
Weeks later, we got her CD in the mail. I turned it on while we were doing crafts, and Myla stopped mid-doodle, and got up to dance and shake around. The music is fun, sort of retro-style, a touch of swing, a bit jazzy, and all around pretty cool for me (as a grownup) to listen too, too. (You can listen to it here.)
I’m constantly amazed at people sharing things they’ve done with us, so I’m quite happy to share it with you. We loved all the happy sounds, and had our own little dance party in our art room. Myla said, “It was very nice of her to send us some music. Maybe we could send her a card to say thank you!”
And so we did.
Myla told me what she wanted to write on the inside, and I helped her spell it. I’m not sure exactly why she turned Miss Gasoi into a catfish, surrounded by other underwater creatures, but that’s what she was inspired by at the time.
So please, go check out Jennifer Gasoi for yourself, and get a little dancing in your toes!
UPDATE: Jennifer tweeted us, saying she loves being a catfish…and coincidentally, she’s a Pisces, so…it makes sense, huh? 🙂
What A Year!
So I just realized it’s been a YEAR since I first posted the story about collaborating with our 4-year old! And while a lot has changed (she’s 5 now, for one), so much is still the same. I thought it’d be sort of cool to share a bit about the whole experience, and what we’ve been doing since…
1. People have been SO super nice! I still get SO many wonderful comments, messages, posts, and emails, saying wonderful things and sharing wonderful stories about how this fun little project that Myla & I do together has affected them in some positive way and it’s such a wonderful thing to hear. New-mom artists saying they couldn’t figure out how to still create while caring for a kid have told me they have hope now for a new way to create. Other type-A’s like me, who have been reminded to let go a little bit and enjoy the ride. People spent time doing similar projects with their kids, their students, their patients, and shared the stories with me. It feels really good to hear that something we did just for fun has had such a positive effect on so many people.
The fact that people take a little time out to say something nice to someone they don’t know personally, is very heartwarming, and makes me feel good about the fate of the human race.
2. Some people can be jerks. I have learned the age-old internet rule, and will agree that it is most definitely true (mostly on external blogs, not my own, thankfully): DON’T READ THE COMMENTS. SO many websites, instead of linking directly to my full story, retold the story using my photos on their own website. Usually, they don’t tell the whole process I went through, leaving readers confused and critical, and more likely to make random nasty (and not at all constructive) comments. Everything from “She’s holding her pen wrong,” “the mom overindulges her,” “the mom probably does those herself, for attention,” “those drawings aren’t THAT good,” and “what the hell am I even looking at???”
…Some people make a point to take a little time out of their day to be total jerks to a complete stranger, which makes me a little discouraged about the fate of the human race. Thankfully, though, there are WAYYYYYYY more positive comments than negative, and I do my best to ignore them, and focus on people who AREN’T talking out of their butts.
3. We self-published an AWESOME BOOK. We had a few publisher nibbles after the post, and even worked for quite a while with one, trying to narrow down how we might possibly turn it into a book for children, until they finally gave up on the idea altogether. It wasn’t until then that I realized it might not BE a children’s book. So I made my own Kickstarter video, and with the help of SOOO many people sharing and getting the message out there, we were able to exceed our goal and make a book I am very very proud of, that tells the story of our collaboration, has pages to doodle in yourself, and is a collection of a great many collaborations, and the fun little titles I gave them. We also were able to make a little children’s book of animal collaborations. I can’t seem to part with the originals, so I don’t sell any of the originals to anyone. I keep them in a very full binder for her to enjoy later. So since we weren’t able to have a professional publisher work with us, at least I was able to make our drawings into a fun little book that we can share with people.
4. We still get around a bit, from time to time. Aside from a great many interviews & articles from all sorts of places in the world, we’ve had a few little online adventures. We had someone contact us to see if they could purchase a few prints to use on a TV show as set design background if the show stayed on. (We allowed it, but I haven’t seen them on the show, and I don’t think it was picked up for a new season.) A theme park on the other side of the world asked if they could display a few for a Mother’s Day event they were having. Our post was shared on facebook by a couple of fun names…
(None of this at all means anything to Myla, though. She just likes to draw.)
5. People have asked us to do stuff. We have been asked to do custom work, but trying to “control” what a 5-year old draws is nearly impossible. Sometimes I can give her suggestions, and sometimes she turns the person into Nightcrawler or a mermaid, just for fun. You can never tell. Nor would I want to stifle what she does, or put any limitations on it. The very few times I’ve tried to steer her in a certain direction is hit or miss: sometimes it works out like magic (as in the Hellboy doodle we did below), and sometimes it doesn’t work, and it’s just frustrating for the both of us. So instead of getting frustrated, I just take the pressure off by saying no to most custom work, unless it’s something fun that we can do in a way that has little to no pressure. (Reading Rainbow’s Kickstarter, for example, is running an art contest for their calendar. We’ll give it a try, but if it doesn’t work out, no big deal.)
We have been asked to design logos for products, but aside from just the logistics listed above, it just feels weird to use them for a product. I don’t have any big political belief behind that thought. It just feels weird, so I just say no.
We were once asked to have a film crew film our day to day life and doodles, but I couldn’t see how that would work, since both my husband and I have agreed that we’re not comfortable with the idea of having Myla’s face fully openly out there in internet land. Why not? Well, aside from just the regular worry of creepy old creepers, people can be plain nasty, as I said earlier, and nastier when they have something in front of them to point at behind the safety of their screens. She’s adorable, but she’s five. I don’t need random people commenting and judging her SOLELY based on her physical attributes (as I’m sure the world will do in plenty of time when she hits puberty). No thanks.
6. Life is pretty normal. When we first did the collaborations was just before my husband was deployed, so he missed the majority of the hubub, and watched it lovingly from a distance somewhere in the middle of Afghanistan. Now that he’s back, things are pretty normal again. Myla started Kindergarten, and is on a mission to share her love of superheroes with the world. Like everyone, we have good days and bad days (but they are very nearly all good days). She loves superheroes, mermaids, and “crafty crafts” (which is what we call all the artsy art things we enjoy doing). I post our work primarily on Instagram, but also on Facebook and Twitter. I also use Instagram to post a ton of whatever strange drawings, sculptures, or projects I’ve personally got going on as well.
7. We still draw. A LOT. When we first started collaborating, it was incidental. It just sort of happened. Now, she ASKS me for heads to draw, and sometimes for certain characters. I like to mix drawing, say, a certain actor’s face for her to draw a certain character’s body on, and she has fun with that. If she wants to do one of Wolverine, for example, I draw Hugh Jackman. It’s fun for both of us. Her drawings have become more narrative, with so much more going on, and it’s been REALLY fun for me to try to make them make sense by making the background more detailed, adding more highlights and shading to the artwork, to the faces. It’s so much fun!
People have asked me about her tiring of drawing only the bodies–but she doesn’t LIKE how I draw the bodies on her heads (she hasn’t worked on that “letting go of expectations” thing that I’ve worked on, and is sometimes critical if I go off-course). Drawing faces and characters on her own, though? She’s WAY into that! Oftentimes, I’ll tear out pages from my sketchbook of drawings I haven’t finished, and don’t intend to finish (even if it’s just an eye), and let her just use her imagination:
But now that she’s a little older, a great deal of our work is directly influenced by the things that influence her: superheroes, characters from shows and books and comics. This past summer, I signed her up for day camp (basically 3 hours a day of themed daycare). She could choose between Princess Camp and Superhero Camp. She chose Superhero camp, which has been a huge influence on her drawings:
She’s also had a thing for mermaids lately…
There are also a great many characters she’s never really watched the actual shows of (she’s only 5, remember, and she’s not too fond of too much action & violence), but has seen or heard of the characters. I’ll usually just tell her a toned-down, simplified story about the character, and let her elaborate:
She will draw characters from some of her favorite, most beloved tv shows, books, and movies:
There is always a WHOLE lot of Star Wars:
And some of them come straight from her own imagination:
8. We still LOVE to share… Whether it’s between Myla and me, or other people, we love to share our doodles. I recently did an art trade with an artist on Instagram, whose 4-year old daughter decided to make Myla a little sculpture to add to the package. It was so awesome! Myla loves to show people how to draw “step by step” (but she will almost NEVER tell you what it’s going to be in the end…probably because she makes it up as she goes). She loves drawing marker “tattoos” on any visitors we have who are willing. Last time we visited my husband’s family, they all gathered round chit-chatting and waiting their turn for Myla-tattoos.
…SO WHAT’S NEXT? Well, we’re just gonna keep on keepin’ on. Since I have all these books now, I thought it’d be fun to take them to a vending table at Wizard Con in Austin, Oct 2-4. So I’ll be doing that, and bringing my niece along to help. Myla will mostly be hanging at home with Daddy, and only stopping in on occasion (since I’m guessing it’d be pretty hard to keep a kid at a booth ALL DAY for THREE DAYS??) to see costumes and such (conventions scare her, though, so we’re gonna play that one by ear). I’m bringing TONS of books, some prints, a few of my own originals, and whatever else we can muster up. It’s gonna be FUN! So if you’re anywhere in the area, PLEASE come see us!
I absolutely LOVE watching her develop her drawing. I get so excited when I notice her drawing something new, like Wolverine’s “fists,” and the amount of detail she remembers just from seeing a few pictures of a character. We’ll keep on doing them for as long as they’re fun. And if they’re not fun, we’ll lay off them for awhile. But right now, we still love drawing together, so that’s what we’ll do. And I’m always happy to post them!
Most of all, I love love LOVE hearing from other people who have been inspired to do their OWN doodle projects with their friends, family, students, and kids, so if you’ve got stories to share, I’d LOVE to hear them!
Love, love love. Just realized there was a WHOLE lotta love in this post. And that’s awesome.
(Posted below are just a couple of the wonderful doodles people have sent me that their kids have done after being inspired to draw by our doodles. I love seeing all that imagination growing!)
So that’s a little update on our doodles this past year! I’m so grateful for all the positive response we’ve gotten from something we just love doing together. It’s SUCH a good feeling to put something good into the world!
(I constantly post new prints for purchase at Society6. Please feel free to take a look!)
The Fisher King and the Man in the Moon
Just because I don’t know Robin Williams doesn’t mean I can’t miss him. Just because I miss him doesn’t mean I don’t feel loss for other people who maybe weren’t so much in the public eye, or that I don’t care about other more worldly events going on the news.
I’m not usually too affected by celebrity news, but I’ve been having a bit of a hard time with this one. My WHOLE life, his movies, tv shows, and comedy has been there, in so many wonderful characters, in so many wonderful ways. From when I first saw him as Mork as a kid, to now. He inspired me, he made me laugh. He touched so many people with the simplest of expressions. He could make you laugh in one moment, and melt your heart in the next. I don’t know another comedian who could do that. He’s just always been there.
The point is that someone, no matter who it was, touched our lives and it’s okay to feel sad about that. It’s a testament to me that peoples’ lives, big or small, affect all of us in some way, even if we never know it. We feel the loss of someone when they have touched us in some way. We feel worse when someone’s story, someone’s life, has reflected something in our own lives.
To me, it’s also a testament to that saying that you should “be kind always, for everyone is fighting a great battle.” That person who was a total jerk? Maybe they’re going through something difficult right now.
Like many people, I struggled with depression when I was in my twenties. Recently, my mom and dad were cleaning their shed and found an old self-portrait I did at the time. It’s not at all flattering. I didn’t want it to be. I wanted to show how worn out, how sick of it all, how emotionally EXHAUSTED I was.
Thank goodness I don’t feel that way anymore, and looking back on it, it’s like looking at a completely different person that I can’t even relate to anymore.
Do you remember The Fisher King? (It’s one of my VERY favorites of all time. To me, every Gilliam movie is amazing, but Gilliam with Robin Williams was magical.) Do you remember how the shock jock’s flippantly insensitive words inadvertently set off a chain of events that damaged the life of William’s character, who he had never even met? People are important. Especially in a world where it’s so easy to type a few errant nasty words on someone’s post, the things you SAY are important, whether you know it or not.
And I think aside from just missing his magic, that might be what has affected me so greatly about his suicide, and the internet reaction to it. It’s just reminded me to do my best to ignore people that build themselves up by making “superior” comments or make a point to spread negativity, and remember how important it is to connect with the people in your life, and to spread the positive around a bit. If you surround yourself by that negativity in people, it eats into you, it brings more negativity to you, draws it in like a magnet. That negativity they focus on pulls you down with it. And as much as you might sympathize with them or want to help them, sometimes you just have to step away a bit.
And this new news about the onset of Parkinson’s…in a weird way that made me understand a little better. I’ve lived with chronic pain for over 10 years, and the idea that you eventually might not be able to do certain things the more something progresses is an absolutely terrifying one. Not one worth my dying over, but I get it. I get that pain.
No, I didn’t know him. And knowing him wouldn’t have changed anything. But I know other people in my own life, and maybe connecting with them will help in some small way.
So it doesn’t matter if he’s a celebrity. He touched peoples’ lives. Don’t feel ashamed for mourning him when so many others need attention, too. Not grieving for one person doesn’t show more appreciation for another.
Instead, appreciate the people in your life. You MEAN something to them. They mean something to YOU. Even if you don’t see it, don’t know it, don’t FEEL it….I promise you, you do.
Sometimes you just have to look a little harder for it.
If you look for bad things, I promise you, YOU WILL ALWAYS FIND THEM. Instead, I try to actively search for things in my life to appreciate. For things to feel good about, no matter how small. And if you cannot find them in your own life, there are so many ways to create them for someone else, and that generosity will create good in your life. And if you’re always looking for those good things, I promise you, you will always find them, too.
So I’m going to do my best to focus on the positive…
National suicide prevention hotline: 1-800-273-TALK (8255)
Info on Soldier suicide prevention
Guardians
I grew up on science fiction. My dad was a big sci-fi fan, so when we’d go to the video store (yes, I understand that’s an ancient concept these days), he’d choose anything so long as the cover had space, spaceships, or aliens on it.
I remember seeing Star Wars when I was younger, and collecting figurines and spaceships. Alongside the wooden playhouse my mom designed for us in the backyard of our little house in Oklahoma, my dad built what was meant to be the head of AT-AT.
I remember staying at home with a sitter while my parents saw what they thought was a grownup movie about aliens, only to take my sister and I out the very next night when they realized how good (and kid-appropriate) E.T. was.
I remember one of the very first “grown up” movies I saw was Blade Runner. I was blown away.
So I think it’s fair to say that me & sci-fi go way back. Which is why of COURSE I loved Guardians of the Galaxy. I’m not going to review it, or go into in-depth conversations about how it relates to the comics (which I have not read, and don’t really intend to), but it was a fun little movie, and I enjoyed watching it.
What makes a sci-fi movie “real” for me is the characters. I love them, humor, flaws and all. GotG had some great ones, and nearly ALL of them interesting-looking enough to draw (which is why my IG feed has been flooded with all sorts of amazing character sketches from various artists). For me, GotG has a similar campy feel as Fifth Element did, with a sense of humor, and a lot of colorful characters.
So, of course, I couldn’t help but draw a few of ’em, too….
(Don’t worry, I don’t think I’ve got any spoilers here…)
I tend to start off on the beaten path, so one of my favorite characters was Drax the Destroyer, played by WCW’s Dave Bautista (who was so good I forgot he was an athlete-turned-actor). Drax is extremely literal (as am I). I could totally relate to him, as a lifetime of literal misunderstandings have made my own life a bit confusing. He has one of my favorite lines in the movie, saying “Nothing goes over my head. My reflexes are too fast. I would catch it.” I had to get my blue & red ballpoints out and sketch him.
Later, I sketched the character named Yondu (played by Walking Dead’s Michael Rooker) who controls a deadly arrow with his whistles. This one I sketched in ballpoints, and highlighted with acrylics, and I’d just like to say that it was QUITE hard to draw a person whistling. Just sayin’.
I have a couple of characters I’d still like to draw if I don’t run out of steam…like Gamora (Zoe Saldana) and everyone’s beloved Groot. I’m trying not to get overwhelmed by the plethora of inspirational imagery in that movie, so I think a couple more drawings and I’ll be okay.
Guardians of the Galaxy is rated PG-13, so I know a lot of kids went to see it, but aside from the fact that Myla is only five, heavy action understandably frightens her. Sometimes that can be a little challenging, trying to find kid’s shows that have no “bad guys,” and where no one gets hurt and there’s no conflict whatsoever, but I’m also quite okay with her enjoying the simpler things.
So when there are shows that come out where the marketing and products are EVERYWHERE, or other kids are talking about it, I like to tell her the simplified version. Instead of telling her the entire story of GotG, I tell her about the characters, so she still knows what everyone’s talking about, but doesn’t have to actually see the “scary show” herself. And in my doing so, she has developed a love for characters she’d never otherwise see: like Khaleesi, Daleks, and in this case, Rocket and Groot–as has most of the sci-fi world. I show her little video clips of the characters on YouTube sometimes, she asks me questions, and she loves ’em.
So the next time she asked to draw on some heads (as we do), she immediately turned one into Groot, complete with a little leaf on his shoulder.
And seeing Rocket in stores out & about, she asked lots of questions about this little raccoon character. She thought it’d be funny if he had bubbles coming from his gun instead of bullets…
So there ya go. Nothing like a little sci-fi influence for your day!
Drawing Christine
I’ve mentioned before how inspiring Instagram has been for me (and I am extremely grateful to Diane from Design Recharge Show for talking me into it). One of my favorite things about seeing artists’ work on IG is getting to see the behind-the-scenes process.
Sometimes when you look at the final piece from an artist whose work you love, you are so inspired by the end result that you start to get frustrated with your own style. Some artists make it look so effortless! And if your own road is a little bumpy, you might have the urge to not even bother.
But no one starts & finishes in the exact same spot–even the old painters had a process! One very strong memory for me was visiting the Musee d’Orsay in France. I saw a room where on the wall was posted a small paper where an artist had doodled a simple man with a scythe. And then another of the same figure. And another. And another. It was like he was obsessed–to my memory, every wall in the room was FULL of rough painting studies and drawings, little sculptures, and sketches of this same figure, until FINALLY, at the very end of the room, was the painting–a very simple farm scene, called Paying the Harvesters, by Léon Lhermitte. And the thing was, the man with the scythe wasn’t even the only figure. I was blown away…not so much by the painting (which was amazing), but the amount of work that was behind it.
I don’t have the kind of patience for that level of detail…but I do know that art is a process. Personally, I paint as if I am rushing to save the life of a dying emergency room patient, and I don’t even have CLOSE to the level of detail that Monsieur Lhermitte had. For me, there is a magic world between rough sketching and overworking a piece…and sometimes you can work a long time on something and it just still doesn’t look right.
I also know that art doesn’t “just happen.” Ask any artist you love to show you their work from their younger years, and you will see the full spectrum. You may not see the hours and hours of time they’ve spent lovingly delved into their sketchbooks, but it’s there. You don’t magically “become” good without lots and lots and LOTS of practice. It’s not the supplies. It’s not the paper. It’s the not the medium. It’s the passion that fuels you to practice and practice and practice. Even my namesake, Michelangelo, once said, “If people knew how hard I had to work to gain my mastery, it would not seem so wonderful at all,” as well as, “If you knew how much work went into it, you would not call it genius.”
And even the best artist you know? They will have a different process in a year. If they are worth their salt, they most likely will know that the saying, “Ancora imparo” (most often attributed to Michelangelo), meaning “I am still learning,” is so very, very true.
I am no master, by any means. FAR from it. I am ALWAYS learning. But after years and years (I am practically ancient), I am fairly comfortable in my process, so I thought it would be fun to walk you through a painting. This is not “How It Is Done.” This is how I do it. And this is only how I SOMETIMES do it, because I am always trying new things.
I decided to draw my best and longest-time friend, Christine. I have known her face for around…WOW. NINETEEN YEARS. That’s major (especially since I move around as much as a traveling circus). She and I have been through it all and back, and have STILL stuck around, even though we’re so often miles and miles apart. The last time I painted her, I was in college, and she still has it hanging in her living room.
So, with a photo for reference, I sketched. I always sketch in ballpoint pen (I may have mentioned that I love ballpoints). I used a photo I took from when I visited her right after she had her daughter Lila. I am aware that a better likeness might be obtained from gridding or tracing of the main shapes, but for the most part, I like the personality that jumps in there when I don’t try to go for 100% realism…
I wasn’t quite sure what I wanted to do with it yet, but I added the decorative Polish flowers around her and wanted to use the negative space in an interesting way. I usually go from a sketch to acrylics, but this time, I thought I’d try something new, and used my Prismacolor markers to block in the main color. By this point, I didn’t like the curly flower swirls at the top, so I decided I’d get rid of them somehow.
Here’s the funny part about Prismacolor markers…..they are SO good at blending…but they sometimes react in a funky way to ballpoint pen. This process used to terrify me, but I am used to it. I use this process with the collaborations I do with our daughter…I just had not yet gotten comfortable with it on a portrait of a beloved friend. GAH! She’s PURPLE!! –Calm down. Don’t worry. The ink soaks into the page, and if you push through it, it spreads, and you can blend it all in fairly well. Those of you thinking “why not just skip the ballpoint?” you have a valid point, but I just can’t because: BALLPOINT.
Thankfully, I have learned to follow where my wonkiness takes me, and after a bit more blending, the colors start to settle and soak in, making them finally look a little more natural.
I often work with a very light skin palate (even on darker-skinned people), so the markers were a good exercise in really filling out the skin tones. Again, those swirls on top have got to go.
I darken the hair to sort of hide the swirls, but at this point, I’m still not sure how I’m going to handle them, so I work on the background, which I wanted to be a flat sort of teal.
So I am a big fan of Bokkei (Maria Björnbom-Öberg)–she even did an art trade with me (which I’ll cover in an upcoming post)! She works in both marker and colored pencil, and gets AMAZINGLY realistic detail. So I wanted to give her process a try, and dusted off my old Prismacolor pencils (I swear, they don’t sponsor me). Me and colored pencils have a love/hate relationship. I WANT to love using them, but I just CAN’T. It’s not them, it’s me.
So I tried and I tried and I tried some more. And I finally decided to go back to my trusty ol’ acrylics to finish it off. Aaaahhh, acrylics. You always KNEW I’d be back.
So there you go. After much struggle, after all the hassle of the variety of tools I used, I finally went back to my old standby. It’s by no means perfect. But you know what ? I tried new things. I also covered those head-swirls, changed up the background color (I have a MAJOR thing for light blue and red, probably because of this). I tried new things–some worked out and some didn’t. And that’s totally fine.
The thing is, if it’s important to you, you’ll find a way. You’ve got to jump in with no reservations. You can’t be afraid to make mistakes–mistakes are INTEGRAL. They’re part of the whole process! They’re NECESSARY. If you do something and mess up, what’s the worst that happens? You waste paper. You waste time. But if it is something you love, it is never a waste. The main thing is this: no matter how good you are, no matter what your skill, you will be fine…as long as you ALWAYS KEEP LEARNING.
Ballpoint Doodling
Me and ballpoint pens go way back. I love them.
When I was younger, I carried a ballpoint pen and a sketchbook wherever I went. I liked ballpoint because I was too clumsy for pencil–I didn’t like that I could accidentally smear what I’d drawn in pencil with a single careless arm motion, because that’s how clumsy I am. I pressed too hard for pencil, and still didn’t like the coverage it gave. And I didn’t like the scratchy feeling of rough pencil or charcoal or pastel on paper.
So ballpoint it was. In college, it was implied that ballpoint pen was NOT an art medium. That it was a tool for writing, not drawing. So I tried my hardest to master other tools, only to retreat back into the comforts of my room after classes, with my trusty old ballpoint pen and sketchbook at the end of the day.
Over time, I learned to sketch pretty comfortably with pen–to ease up and add pressure where I needed it. I got more comfortable with accepting that pen was my very favorite tool, fine arts be damned. I drew in ballpoint pen so much, that after tons and tons of practice, I could get a fairly good and smooth sketch that people often mistook for pencil. Primarily, I sketched in black ballpoint–plain ol’ Bic or Papermate pen.
After awhile, I started adding color and shading and highlights in either watercolor or acrylics. I used the black ballpoint as a sort of underdrawing. I like the sketchy feel, seeing the structure underneath. Sometimes I paint on top pretty monochromatically…
And other times, I nearly completely covered the initial sketch with acrylic…
But it just doesn’t feel like me whenever I’ve tried leaving out the ballpoint pen.
Did you know there are different types of pens? There are inky smooth rollerballs and spotty ol’ gel pens… but it took me YEARS to realize that the ones I like to sketch with are “officially” called BALLPOINT pens. Easy enough, right?
Ages ago, I hadn’t heard of anyone using ballpoint as a fine art medium. I was a little uncomfortable with the fact that it was my medium of choice (but not enough to give it up). Ballpoint quality was so bad that the paper I used would yellow around my drawing, or the pen would turn purple or blue. These days, I’ve seen TONS of artists creating wonderful, beautiful things with pen. There’s the hyperrealistic work of Samuel Silva, the amazingly smooth work of James Mylne, and ballpoint pen art cheerleader Jerry Stith, who has EXTENSIVE resources on ballpoints and art. (Those are only a few–there are also a ton more, a few of them listed here).
But one of my VERY favorite ballpoint pen artists is Jim Rugg, whose work is both amazingly realistic at times, and also hilariously funny (like this Divine Wonder Woman, and this Playboy Barbie). He has a sense of humor about his work that I can appreciate. He enjoys drawing, and it shows…but he doesn’t seem to take himself so gosh-darn seriously.
I used to think it would be awesome if ballpoints came in tons of other colors…but when my mom sent me a set of Ink Joy colored pens a few years back, I thought they were awesome, but I wasn’t sure how to make them work for me. My work wasn’t as detailed and realistic as those other artists who had mastered the ballpoint pen.
Until a few months ago, inspired again by Jim Rugg’s work, I realized I could still do my own wonky style while using the colored ballpoints…and I gave it a try.
The first one was Napoleon Dynamite (which I realize I’ve posted before)…
I moved on to other fun faces I enjoy….Like the drag artist, Divine:
This scene with Samuel L. Jackson from Pulp Fiction:
And this character from the movie Delicatessen (Myla helped me with the hands):
Since then, I’ve had a lot of fun, really playing with building color.
The process (for me) starts with laying a basic foundation, usually in orange, and building up the reds for color in the cheeks, nose, lips and eyes. (I still think my technique is a little soft–I’m hoping to get a little more bold with the color and text)
Then I build up with the brown for darker areas.
And it isn’t just a one-shot kinda thing–I keep those three or four pens handy, and switch around between them all, building up colors, adding colors in another area. I like this whole process, because there is PLENTY of wiggle room to get the shapes right. If something’s off, and you’ve started lightly enough, you can adjust it by the time you start really building up the darks.
And the final doodle: Leeloo (Milla Jovovitch) from the movie the Fifth Element:
Funny thing about ballpoints, though, is that they glurp. Those blobs of ink on her face and in the background? Those are glurps. I don’t mind them all THAT much, but they’re a little tough to work around sometimes (I don’t even know HOW those other guys keep the glurps away). To avoid the glurp as best I can, I am constantly wiping the ballpoint pen (which I SHOULD do on a napkin, but I don’t, so if you were to look very closely, most of my clothes contain a cluster of small dots, usually on my right shoulder or pants, from twisting the glurp off of the pen before drawing). Still, glurps happen…and that’s okay. They’ve kind of grown on me, even. Gives them a bit of gritty character.
“Goodbye Sweetie” (In-progress, from Dr. Who):
Professor McGonagall, in progress, from Harry Potter:
With darker skin, the process is pretty much the same, except that you can use even more of a variety of colors to really build up the skin tones. (Again, I still think I’m too soft in this area. I’m working on filling out more of the white space)
RubyRhod from Fifth Element:
Recently, because of a long-standing back problem that has been misdiagnosed for SEVERAL years, I have begun a series of injections to help with what they’re now calling “spondyloarthritis.” (Which, from what I understand, just means “chronic localized sacroiliatic pain that we can’t figure out and don’t really know how to treat.”) This means I need to sit at their offices for at least THREE hours, attached to a IV tube full of mutant medications and such.
Ohhh. Fun.
…Except, wait? Three HOURS? In a lounge chair by myself? While Myla’s happily occupied at school or daycare? And I can bring my sketchbook and headphones?? Wait. Wait a minute. This might not be so bad after all…
Jack Black in Nacho Libre:
Nicholas Cage as “H.I.” from Raising Arizona:
Awhile back, PaperMate InkJoy was the only colored ballpoint pen set I knew of. Then I learned that my favorite ballpoints, Bic, came out with the Cristal color pack. Woohoo! But the other day, while looking for some replacements should something tragic potentially happen to my newly beloved pens (as I often fear, once I begin to love a medium), I came across the PaperMate Profile.…and I was SUPER excited to find out that the 12-pack has a sort of GRAYISH MIDNIGHT BLUE…which allowed me to simulate one of my favorite colors of all time: Payne’s Gray!!! (it’s a sort of midnight-bluish gray) Not such a big deal for many people, I’m sure, but very VERY exciting for me!
So I’ve become quite fond of my colored ballpoint pens! And I’m having a WHOLE lot of fun building up shapes. It definitely requires a different sort of thought process than just drawing in straight black ballpoint pen. Still, I think I could cover more of the white area. It just takes getting over the timidity of a new medium. But I love it.
So whatever you enjoy, no matter how timid you may be about it, just rock it. Own it. Make it yours. Because the things that make us different are the EXACT same things that make us special.
I once met a very well-known artist who asked me what medium I worked in, and when I quietly said, “ballpoint pen,” he asked (with honest curiosity), after a long pause, “Um…is that even archival?” I was sort of hesitant to respond, washed over instantly in self-doubt–until I realized with full confidence that I don’t CARE. I enjoy it, I am comfortable with it. And the important thing is this: I AM STILL LEARNING.
The State of Stuff
People ask me sometimes if Myla and I still do our collaborations, and if we will do them forever. I’ve come to learn that kids’ fancies are fleeting, so I do my best to just encourage her and do the best I can to support whatever she’s into at the moment.
Lately, what she’s been into has fallen into two categories…namely, Stuff Stuck to Paper and Paper Creatures. I’ll attempt to describe them, because given a brief moment alone, and she’s furiously scissoring and coloring a creature, with her brow furrowed, and a very faraway look of concentration on her face. In case you labor under the belief that we ethereally flutter around an immaculate house, doing artsy art thing in a perfectly-styled art room designed by artsy art professionals, I will share this photo of what our kitchen table looks like most of the time:
I admit to claiming responsibility for about 20% of the mess that constantly grows in this table (usually concerning school-related paperwork). I have cleaned it and straightened it and battled it in full gear, time and time again, and I have just given up. It has finally won the battle.
But see the look on that kid’s face? That one of absolutely overwhelmingly engrossed concentration? I’m okay with that mess. Plus, I can sit on my end of the table and just draw in my sketchbook. Win-win, if you can handle a messy kitchen table. (We’ll see what happens when the husband gets back from deployment and might like a place to–oh, I dunno–EAT, maybe.)
In any case, here is what she’s been up to:
Stuff Stuck to Paper
The things she’s been creating come from out of nowhere. A scrap of paper, a bottlecap. Left unattended near her, they are at high risk of being glued or taped to a page and made into a “project.” I have had to give her very good reasons why it is not a good idea to GLUE scissors to the page just for a projects’ sake. But for the most part, I don’t mind the random things.
Sometimes, when she’s glued or taped food to the page, I’ve either secretly smuggled it to a temporary holding area (in the garage) before secreting it out to the trashcan (0nly after taking countless photos, of course) to avoid an onslaught of ants, or (as in the case of the Bugle-dragon above) I’ve sprayed it with a multitude of layers of varnish to hopefully keep ants at bay. She’s also glued or taped a birthday candle, bottlecaps, and pieces of plants, creating a little scenery (or what she calls a “project.”)
She’s made birds with Bugles cracker beaks, and carrot parrots…
Once, I gave her a bowl of dry mixed pasta to make “projects” out of, and she made this little crab for me:
I once showed her some doodles by InkyGirl on Instagram, and the next morning she drew this:
Paper Creatures
The other thing she’s been doing is making “creatures.” These are things she builds out of paper to be “toys.” (Because, you know, she doesn’t have like a million ACTUAL toys. Heheh)
Here, she frantically cuts up tiny pieces of paper and usually tapes (because she’s got no time to wait for glue) or glues them together to make some sort of creature.
(From left to right: Mouse from Cinderella, a talking tortilla, Unikitty, a cow, a porcupine, and a lion.)
Sometimes she cuts out & colors all the pieces, and other times she markers them…
(Catbus from Totoro, and her green catbus friend)
They’re fully realized characters, since they almost always have backsides, too.
I showed her how to use metal brads once, and she created all the pieces, cut them out, and had me help her put it together…
Other times, they are full sheets of paper (with backsides, too) that are like “dolls…”
She voraciously made this dinosaur finger puppet for me, which is pretty gosh-darned cool. It even has a tail!
So those are exciting. And she’s been obsessed with these paper things. I’ve had to stock up on construction paper and tape, something I didn’t need to do when she was voraciously drawing. But that’s what she’s into. And that’s cool.
But the other day, I wasn’t feeling well, and I lay on my stomach on the couch with my sketchbook, and she dragged her marker box, scissors and tape into the room and started making paper bats like a madwoman. And then she suddenly looked up, climbed onto the pillows over my head, and stared at my sketchbook, watching me draw. I was playing with colored ballpoint pens, drawing Napoleon Dynamite.
“Are you using shading?” she asked.
“Yes I am,” I replied, and I showed her how layers and layers of colors can look like they’re mixing to make other colors, and that darker things look like they’re behind. Sort of like when we played with pointillism.
“I’m going to try that, too.” she said. “And I’m going to make it look SO REAL.” So I watched her look at the photo for references (or what she calls “estructions”), and drew her own version:
I was blown away! Shading, “realistic” features. So exciting, and pretty darned awesome, for a 4-year old! She really took her time with it, focusing very hard on looking at the picture and trying to draw it the same way (making me instantly recall the Napoleon Dynamite quote: “It took me like three hours to finish the shading on your upper lip. It’s probably the best drawing I’ve ever done.” Hehehe.)
Yesterday, I had a doodle of Wonder Woman in my sketchbook, and she tried her hand at it again, and again–I’m blown away.
It’s so cool to be able to see your kid change and grown and learn new things. Sure, it’s a little sad to see a beloved phase go by, but my mom always said, “enjoy whatever phase she’s in, because the next phase might be a rough one.”
So while we still doodle the occasional heads from time to time (and I’ll be sure to keep giving her the option to), it’s so great to see her trying new things! Believe, me, the collaborations have changed our lives so much for the good that I’m going to keep trying them with her, and it’ll be fun to see how they look once she’s a little older. Maybe she’s ready to let me draw the bodies to HER heads now…
Whatever the case, I’m just glad for it. All of it. Messes and ants and all.
busy mockingbird 